This year\u2019s Golden Rooster Award poster is conceived with the head-up Golden Rooster trophy as the main body, accompanied by the red glow of the \u201cSunrise in the East\u201d. When the Rooster Award was established in 1981, \u201cThe Golden Rooster Crows\u201d inspired Chinese filmmakers to create and explore their original intentions.<\/p>\n

Participating awards<\/strong><\/p>\n

The scope of participating films for the 33rd China Film Golden Rooster Awards is set for feature films, children\u2019s films, science and education films, documentary\/science and education films, opera films, and fine art films that have been reviewed and approved by the National Film Administration from July 1, 2019 to June 30, 2020. Since the start of the registration process, a total of 155 films of various film types have been received, including 48 feature films, 57 small and medium cost feature films, 12 children\u2019s films, 9 art films, 17 documentaries and 12 opera films. The nomination list after strict screening will compete for 8 film awards including best feature film, best documentary\/science and education film, best children\u2019s film, and 12 individual awards including best screenwriter, best director, and best actor\/actress. Due to the epidemic, this year\u2019s \u201cBest Foreign Language Film\u201d award is vacant.<\/p>\n

The preparations for the Golden Rooster Awards are progressing smoothly<\/strong><\/p>\n

This year is the opening year for the Chinese Film Golden Rooster Awards to settle in Xiamen for a long time. The Golden Rooster Award this year is a major national cultural event held on the occasion of the 40th anniversary of the establishment of the Xiamen Special Economic Zone.<\/p>\n

During the preparatory process, the Xiamen Municipal Party Committee and Government and the China Film Association worked together to control the epidemic while preparing for the event. A series of detailed work plans for epidemic prevention and control, safety assurance, and service reception were formulated, and the preparatory work proceeded in an orderly manner.<\/p>\n

Xiamen adheres to the positioning of \u201cspecialization, internationalization, marketization, and normalization\u201d, and emphasizes \u201cpeople\u2019s character and openness\u201d as its values. The Golden Rooster Award follows the goal of \u201cgreater influence, better service, broader market, and more investment\u201d and the principle of \u201cthrifty and refined\u201d to create a \u201cbetter and more brilliant\u201d movie event. The Golden Rooster Award stimulates social vitality and creates a positive social atmosphere under normalized epidemic prevention and control conditions, and has become a booster for Chinese films to reach their peak. The successful holding of the Golden Rooster Award will strongly promote Xiamen to become the \u201cCity of Movies, Capital of Film.\u201d<\/p>\n

The post The 33rd China Golden Rooster Awards Conference was successfully held, and the posters and nominations were announced<\/a> appeared first on Zex PR Wire<\/a>.<\/p>\n<\/div>\n<\/div>\n

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China, November 8, 2020, ZEXPRWIRE,\u00a0On November 7, the China Federation of Literary and Art Circles, the Chinese Filmmakers Association and the Xiamen Municipal People\u2019s Government held a press conference in Beijing on the 33rd Chinese Film Golden Rooster Awards. The grand ceremony will be held in Xiamen from November 25th to 28th this year. The […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":{"0":"post-329","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-news"},"_links":{"self":[{"href":"https:\/\/seoulchronicle.com\/wp-json\/wp\/v2\/posts\/329"}],"collection":[{"href":"https:\/\/seoulchronicle.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/seoulchronicle.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/seoulchronicle.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/seoulchronicle.com\/wp-json\/wp\/v2\/comments?post=329"}],"version-history":[{"count":0,"href":"https:\/\/seoulchronicle.com\/wp-json\/wp\/v2\/posts\/329\/revisions"}],"wp:attachment":[{"href":"https:\/\/seoulchronicle.com\/wp-json\/wp\/v2\/media?parent=329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/seoulchronicle.com\/wp-json\/wp\/v2\/categories?post=329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/seoulchronicle.com\/wp-json\/wp\/v2\/tags?post=329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}